Friday, June 8, 2018
Fantastic Four #176
Gosh!! Where should I start with Fantastic Four #176, November 1976? There was a word for the comics that I used to read when I was a kid. It's a word that I am not entirely certain applies to the comics published today (which is the main reason that I no longer read them.) What was that word ... ? Oh, yeah!''
"Fun!"
FF #176 is fun! Sinnot is back on art this issue, as is George Perez! Huzzah!! And he never looked better. This is the kind of work that made George Perez a household name after his legendary stint on the New Teen Titans. The work here is gorgeous or should I say, "Georgeous!" And the story ... the story?? The comic has the Impossible Man on the cover! Of course, the story is IMPOSSIBLE!!
It starts out simple enough, the first few pages recap the FF's encounter with Galactus. We are reminded of how Galactus has turned Ben Grimm once again back into the Thing, and how the group now has the zany Impossible Man in tow. This is followed by a surprise crash landing of the FF's space ship, which dumps the whole lot into Central Park in New York. And before you say, "Oh, what a coincidence!" Reed reminds us that this is the same ship that Gorr brought to Central Park a few issues earlier and that those coordinates must have still been programmed in. Too bad Gorr wasn't there to warn the FF not to muck about with the controls. They might have avoided the crash.
Back home in native New York, pandemonium ensues as the group trick a cab driver into allowing all five of them to cram into the back seat (by Sue making herself invisible.) It was silly and sophomoric and could have been a scene from a sitcom of the period, and it was setting the stage for things to come. While Ben was ripping the engine from a (different) cab and holding it up for inspection to prove to Reed that he hadn't hurt it, the Impossible Man was eavesdropping on some tourists who were talking about, of all things: Marvel Comics.
Impy (as I will refer to the Impossible Man for my convenience) decides to pay the Marvel Comics offices a visit. Upon evaluating the service this fine publisher provides to the people of the world, Impy decides that he would like to be featured in his very own comic book. Stan Lee is busy complaining to George (Perez) and Roy (Thomas, who is again writer and editor for this issue) because they can't reach the Fantastic Four (who have been away in outer space.) They need updates so that they can chronicle the dramatized real adventures of the Fantastic Four. Jack Kirby steps up with a useful suggestion, why don't they just make something up?
Lee dismisses the idea out of hand. A made up story in a comic book? Preposterous! It's somewhere around here that Impy confronts Stan and tells them to make a comic book about him, "the Impossible Man!" Stan however is in a particularly disagreeable mood and tells Impy that he can not have his own comic book because he is "too silly looking."
This really upsets Impy who sets about transforming into the weaponized portions of the various superhero images that he sees on display around the walls of the Marvel Bullpen. He becomes Captain America's shield. One hand becomes Thor's hammer, another becomes Iron Man's repulsor ray firing gauntlet, his eyes become Cyclops' visor. You get the picture. There is much chaos and much property damage before the Fantastic Four show up to try to calm things down. Under threat of bodily harm at the hands of the ever lovin' blue-eyed Thing, Stan agrees to give Impy his own comic (a one-shot.)
Impy is over-joyed and things are about to wrap up when one of the people at the bullpen bring a classified add from the paper to the FF's attention. The Frightful Four need a new member and they are holding auditions in their new headquarters, "The Baxter Building!"
"Are you a Bona Fide Super-Villain in search of togetherness?"
The FF rush to the Baxter Building to confront the Frightful Four for the issue's cliffhanger panel. As mentioned previously, the art this issue is phenomenal. The story by the relentless Roy Thomas is beyond ridiculous, but it does feature cameos of Stan Lee, Jack Kirby, George Perez, Joe Sinnott (his only in comic book appearance according to the Marvel Database,) Roy Thomas, John Verpoorten, Marv Wolfman, Archie Goodwin, Gerry Conway, and Marie Severin.
I enjoyed this comic. Did I mention "fun!"
This is the reason that I collect comic books.
Regards,
Jeff
Fantastic Four #176
Gosh!! Where should I start with Fantastic Four #176, November 1976? There was a word for the comics that I used to read when I was a kid. It's a word that I am not entirely certain applies to the comics published today (which is the main reason that I no longer read them.) What was that word ... ? Oh, yeah!''
"Fun!"
FF #176 is fun! Sinnot is back on art this issue, as is George Perez! Huzzah!! And he never looked better. This is the kind of work that made George Perez a household name after his legendary stint on the New Teen Titans. The work here is gorgeous or should I say, "Georgeous!" And the story ... the story?? The comic has the Impossible Man on the cover! Of course, the story is IMPOSSIBLE!!
It starts out simple enough, the first few pages recap the FF's encounter with Galactus. We are reminded of how Galactus has turned Ben Grimm once again back into the Thing, and how the group now has the zany Impossible Man in tow. This is followed by a surprise crash landing of the FF's space ship, which dumps the whole lot into Central Park in New York. And before you say, "Oh, what a coincidence!" Reed reminds us that this is the same ship that Gorr brought to Central Park a few issues earlier and that those coordinates must have still been programmed in. Too bad Gorr wasn't there to warn the FF not to muck about with the controls. They might have avoided the crash.
Back home in native New York, pandemonium ensues as the group trick a cab driver into allowing all five of them to cram into the back seat (by Sue making herself invisible.) It was silly and sophomoric and could have been a scene from a sitcom of the period, and it was setting the stage for things to come. While Ben was ripping the engine from a (different) cab and holding it up for inspection to prove to Reed that he hadn't hurt it, the Impossible Man was eavesdropping on some tourists who were talking about, of all things: Marvel Comics.
Impy (as I will refer to the Impossible Man for my convenience) decides to pay the Marvel Comics offices a visit. Upon evaluating the service this fine publisher provides to the people of the world, Impy decides that he would like to be featured in his very own comic book. Stan Lee is busy complaining to George (Perez) and Roy (Thomas, who is again writer and editor for this issue) because they can't reach the Fantastic Four (who have been away in outer space.) They need updates so that they can chronicle the dramatized real adventures of the Fantastic Four. Jack Kirby steps up with a useful suggestion, why don't they just make something up?
Lee dismisses the idea out of hand. A made up story in a comic book? Preposterous! It's somewhere around here that Impy confronts Stan and tells them to make a comic book about him, "the Impossible Man!" Stan however is in a particularly disagreeable mood and tells Impy that he can not have his own comic book because he is "too silly looking."
This really upsets Impy who sets about transforming into the weaponized portions of the various superhero images that he sees on display around the walls of the Marvel Bullpen. He becomes Captain America's shield. One hand becomes Thor's hammer, another becomes Iron Man's repulsor ray firing gauntlet, his eyes become Cyclops' visor. You get the picture. There is much chaos and much property damage before the Fantastic Four show up to try to calm things down. Under threat of bodily harm at the hands of the ever lovin' blue-eyed Thing, Stan agrees to give Impy his own comic (a one-shot.)
Impy is over-joyed and things are about to wrap up when one of the people at the bullpen bring a classified add from the paper to the FF's attention. The Frightful Four need a new member and they are holding auditions in their new headquarters, "The Baxter Building!"
"Are you a Bona Fide Super-Villain in search of togetherness?"
The FF rush to the Baxter Building to confront the Frightful Four for the issue's cliffhanger panel. As mentioned previously, the art this issue is phenomenal. The story by the relentless Roy Thomas is beyond ridiculous, but it does feature cameos of Stan Lee, Jack Kirby, George Perez, Joe Sinnott (his only in comic book appearance according to the Marvel Database,) Roy Thomas, John Verpoorten, Marv Wolfman, Archie Goodwin, Gerry Conway, and Marie Severin.
I enjoyed this comic. Did I mention "fun!"
This is the reason that I collect comic books.
Regards,
Jeff
Wednesday, February 14, 2018
Amazing Spider-Man Newspaper Strips 1977-1979
I shared a story about my "bratty sister" Karla and myself and an adventure that we had (where her status was elevated to "awesome side-kick sister") together a few weeks back.
Today for Valentine's Day my amazingly fantastically wonderful partner fiancée Julie got me a hardcover collection of those very newspaper comic strips that feature prominently in that childhood anecdote.
Feeling pretty awesome today!
Jeff
Today for Valentine's Day my amazingly fantastically wonderful partner fiancée Julie got me a hardcover collection of those very newspaper comic strips that feature prominently in that childhood anecdote.
Feeling pretty awesome today!
Jeff
Amazing Spider-Man Newspaper Strips 1977-1979
I shared a story about my "bratty sister" Karla and myself and an adventure that we had (where her status was elevated to "awesome side-kick sister") together a few weeks back.
Today for Valentine's Day my amazingly fantastically wonderful partner fiancée Julie got me a hardcover collection of those very newspaper comic strips that feature prominently in that childhood anecdote.
Feeling pretty awesome today!
Jeff
Today for Valentine's Day my amazingly fantastically wonderful partner fiancée Julie got me a hardcover collection of those very newspaper comic strips that feature prominently in that childhood anecdote.
Feeling pretty awesome today!
Jeff
Sunday, February 4, 2018
1000 Comics!
Received a shipment of Justice League of America comics from eBay yesterday. This pushes my collection over the 1000 issue mark! I'm very excited about that!
Regards,
Jeff
1000 Comics!
Received a shipment of Justice League of America comics from eBay yesterday. This pushes my collection over the 1000 issue mark! I'm very excited about that!
Regards,
Jeff
Monday, January 15, 2018
Heroes Love Twinkies! (And so do I!)
One of the signature features of the Bronze Age of comics were the single page Hostess Cakes ads that were presented as mini superhero stories. These were so much fun that I sometimes kept a comic in my collection or traded to get a new one just for the Hostess ad. For this post, I thought I'd just share a few of my favorites.
Regards,
Jeff
Regards,
Jeff
Heroes Love Twinkies! (And so do I!)
One of the signature features of the Bronze Age of comics were the single page Hostess Cakes ads that were presented as mini superhero stories. These were so much fun that I sometimes kept a comic in my collection or traded to get a new one just for the Hostess ad. For this post, I thought I'd just share a few of my favorites.
Regards,
Jeff
Regards,
Jeff
Of Cat Women and Love ...
When I set out to create the dream comic book collection of my "wonder years," at first I had only DC and Marvel superhero titles in mind. For the most part this is exactly what I have. However, there was one title that grabbed my imagination as a youth and that was Mike Grell's: The Warlord!
The Warlord is a title in the sword and sorcery genre. There was a niche for this kind of comic, and Marvel comics were doing very well with Conan the Barbarian, and DC had The Warlord. Ultimately, I added issues from both titles to my dream collection although I never really got into Conan as a boy. Warlord on the other hand. I loved Warlord!
Oddly enough I think you might be able to blame my passion for Warlord on Star Trek. Before there was comics in my life, there was Star Trek. The original series was broadcast in syndication every day in the early to mid 70's and I watched in every chance that I got. It fired my imagination and got me excited about science and space and racial/gender equality and justice. It even effected my manner of speaking so that my mom was known to call me, "Little Spock."
A favorite episode for me as a boy was the final episode of season 2 of the original series entitled: Assignment Earth. I think this episode was meant to test the possibility of a spin-off series. It featured actors Robert Lansing as Gary Seven and Teri Garr as Roberta Lincoln. It also featured a cat that could turn into a humanoid (or a humanoid that becomes a cat.)
As a boy, I was in Luhuv! with Teri Gar. She was my boyhood celebrity crush. Oh, and a transforming cat-woman was pretty awesome too. And Lansing as a James Bond-like super agent from another world elevated the awesome pudding all the way to eleven! While I recognize that there are many much better episodes of the original series of Star Trek, Assignment Earth will forever be my favorite.
Fast forward several years to 1980 and my very first issue of The Warlord, issue #32. I was 14 years old. I had started noticing that there existed women folk other than my mom and Teri Garr. The cover of Warlord 32 grabbed hold of my boyish hyper-labido and didn't let go. Mike Grell and Vince Colletta were the masters of sensual illustration of the comics from the Bronze age and Warlord was their showpiece.
It wasn't Warlord #32's cover that made this title memorable or made it a permanent part of my dream collection, however. It was the character introduced in this issue, the transforming cat-woman: Shakira.
Shakira was sexy-cool and a super capable warrior woman. Part Red Sonja and part ninja, Shakira had me anxious to grab the subsequent issues of the title and kept the Warlord on my reading list back in 1980 and today.
Plus, she was just like "Isis" from that episode of Star Trek! Warlord is one of the titles in my dream collection that I have "completed." I have all issues from 1-50 and annual #1. Together they tell a good story if you are a fan of this sort of sword and sorcery fair. It strikes me as curious now that I write this that I never considered setting a Dungeons and Dragons campaign in the world setting of The Warlord. I might have to change that at some point.
Regards,
Jeff
The Warlord is a title in the sword and sorcery genre. There was a niche for this kind of comic, and Marvel comics were doing very well with Conan the Barbarian, and DC had The Warlord. Ultimately, I added issues from both titles to my dream collection although I never really got into Conan as a boy. Warlord on the other hand. I loved Warlord!
Oddly enough I think you might be able to blame my passion for Warlord on Star Trek. Before there was comics in my life, there was Star Trek. The original series was broadcast in syndication every day in the early to mid 70's and I watched in every chance that I got. It fired my imagination and got me excited about science and space and racial/gender equality and justice. It even effected my manner of speaking so that my mom was known to call me, "Little Spock."
A favorite episode for me as a boy was the final episode of season 2 of the original series entitled: Assignment Earth. I think this episode was meant to test the possibility of a spin-off series. It featured actors Robert Lansing as Gary Seven and Teri Garr as Roberta Lincoln. It also featured a cat that could turn into a humanoid (or a humanoid that becomes a cat.)
![]() |
Robert Lansing as Gary Seven (with Isis the cat) |
![]() |
Teri Garr as Roberta Lincoln |
![]() |
Victoria Vetri as Isis (the human) |
![]() |
Roberta: "Would you mind telling me who 'that' is?" |
![]() |
Gary: "That, Miss Lincoln, is simply my cat." |
![]() |
Roberta: "Your cat?!!" |
As a boy, I was in Luhuv! with Teri Gar. She was my boyhood celebrity crush. Oh, and a transforming cat-woman was pretty awesome too. And Lansing as a James Bond-like super agent from another world elevated the awesome pudding all the way to eleven! While I recognize that there are many much better episodes of the original series of Star Trek, Assignment Earth will forever be my favorite.
Fast forward several years to 1980 and my very first issue of The Warlord, issue #32. I was 14 years old. I had started noticing that there existed women folk other than my mom and Teri Garr. The cover of Warlord 32 grabbed hold of my boyish hyper-labido and didn't let go. Mike Grell and Vince Colletta were the masters of sensual illustration of the comics from the Bronze age and Warlord was their showpiece.
It wasn't Warlord #32's cover that made this title memorable or made it a permanent part of my dream collection, however. It was the character introduced in this issue, the transforming cat-woman: Shakira.
Shakira was sexy-cool and a super capable warrior woman. Part Red Sonja and part ninja, Shakira had me anxious to grab the subsequent issues of the title and kept the Warlord on my reading list back in 1980 and today.
Plus, she was just like "Isis" from that episode of Star Trek! Warlord is one of the titles in my dream collection that I have "completed." I have all issues from 1-50 and annual #1. Together they tell a good story if you are a fan of this sort of sword and sorcery fair. It strikes me as curious now that I write this that I never considered setting a Dungeons and Dragons campaign in the world setting of The Warlord. I might have to change that at some point.
Regards,
Jeff
Of Cat Women and Love ...
When I set out to create the dream comic book collection of my "wonder years," at first I had only DC and Marvel superhero titles in mind. For the most part this is exactly what I have. However, there was one title that grabbed my imagination as a youth and that was Mike Grell's: The Warlord!
The Warlord is a title in the sword and sorcery genre. There was a niche for this kind of comic, and Marvel comics were doing very well with Conan the Barbarian, and DC had The Warlord. Ultimately, I added issues from both titles to my dream collection although I never really got into Conan as a boy. Warlord on the other hand. I loved Warlord!
Oddly enough I think you might be able to blame my passion for Warlord on Star Trek. Before there was comics in my life, there was Star Trek. The original series was broadcast in syndication every day in the early to mid 70's and I watched in every chance that I got. It fired my imagination and got me excited about science and space and racial/gender equality and justice. It even effected my manner of speaking so that my mom was known to call me, "Little Spock."
A favorite episode for me as a boy was the final episode of season 2 of the original series entitled: Assignment Earth. I think this episode was meant to test the possibility of a spin-off series. It featured actors Robert Lansing as Gary Seven and Teri Garr as Roberta Lincoln. It also featured a cat that could turn into a humanoid (or a humanoid that becomes a cat.)
As a boy, I was in Luhuv! with Teri Gar. She was my boyhood celebrity crush. Oh, and a transforming cat-woman was pretty awesome too. And Lansing as a James Bond-like super agent from another world elevated the awesome pudding all the way to eleven! While I recognize that there are many much better episodes of the original series of Star Trek, Assignment Earth will forever be my favorite.
Fast forward several years to 1980 and my very first issue of The Warlord, issue #32. I was 14 years old. I had started noticing that there existed women folk other than my mom and Teri Garr. The cover of Warlord 32 grabbed hold of my boyish hyper-labido and didn't let go. Mike Grell and Vince Colletta were the masters of sensual illustration of the comics from the Bronze age and Warlord was their showpiece.
It wasn't Warlord #32's cover that made this title memorable or made it a permanent part of my dream collection, however. It was the character introduced in this issue, the transforming cat-woman: Shakira.
Shakira was sexy-cool and a super capable warrior woman. Part Red Sonja and part ninja, Shakira had me anxious to grab the subsequent issues of the title and kept the Warlord on my reading list back in 1980 and today.
Plus, she was just like "Isis" from that episode of Star Trek! Warlord is one of the titles in my dream collection that I have "completed." I have all issues from 1-50 and annual #1. Together they tell a good story if you are a fan of this sort of sword and sorcery fair. It strikes me as curious now that I write this that I never considered setting a Dungeons and Dragons campaign in the world setting of The Warlord. I might have to change that at some point.
Regards,
Jeff
The Warlord is a title in the sword and sorcery genre. There was a niche for this kind of comic, and Marvel comics were doing very well with Conan the Barbarian, and DC had The Warlord. Ultimately, I added issues from both titles to my dream collection although I never really got into Conan as a boy. Warlord on the other hand. I loved Warlord!
Oddly enough I think you might be able to blame my passion for Warlord on Star Trek. Before there was comics in my life, there was Star Trek. The original series was broadcast in syndication every day in the early to mid 70's and I watched in every chance that I got. It fired my imagination and got me excited about science and space and racial/gender equality and justice. It even effected my manner of speaking so that my mom was known to call me, "Little Spock."
A favorite episode for me as a boy was the final episode of season 2 of the original series entitled: Assignment Earth. I think this episode was meant to test the possibility of a spin-off series. It featured actors Robert Lansing as Gary Seven and Teri Garr as Roberta Lincoln. It also featured a cat that could turn into a humanoid (or a humanoid that becomes a cat.)
![]() |
Robert Lansing as Gary Seven (with Isis the cat) |
![]() |
Teri Garr as Roberta Lincoln |
![]() |
Victoria Vetri as Isis (the human) |
![]() |
Roberta: "Would you mind telling me who 'that' is?" |
![]() |
Gary: "That, Miss Lincoln, is simply my cat." |
![]() |
Roberta: "Your cat?!!" |
As a boy, I was in Luhuv! with Teri Gar. She was my boyhood celebrity crush. Oh, and a transforming cat-woman was pretty awesome too. And Lansing as a James Bond-like super agent from another world elevated the awesome pudding all the way to eleven! While I recognize that there are many much better episodes of the original series of Star Trek, Assignment Earth will forever be my favorite.
Fast forward several years to 1980 and my very first issue of The Warlord, issue #32. I was 14 years old. I had started noticing that there existed women folk other than my mom and Teri Garr. The cover of Warlord 32 grabbed hold of my boyish hyper-labido and didn't let go. Mike Grell and Vince Colletta were the masters of sensual illustration of the comics from the Bronze age and Warlord was their showpiece.
It wasn't Warlord #32's cover that made this title memorable or made it a permanent part of my dream collection, however. It was the character introduced in this issue, the transforming cat-woman: Shakira.
Shakira was sexy-cool and a super capable warrior woman. Part Red Sonja and part ninja, Shakira had me anxious to grab the subsequent issues of the title and kept the Warlord on my reading list back in 1980 and today.
Plus, she was just like "Isis" from that episode of Star Trek! Warlord is one of the titles in my dream collection that I have "completed." I have all issues from 1-50 and annual #1. Together they tell a good story if you are a fan of this sort of sword and sorcery fair. It strikes me as curious now that I write this that I never considered setting a Dungeons and Dragons campaign in the world setting of The Warlord. I might have to change that at some point.
Regards,
Jeff
Friday, January 12, 2018
CLZ Comics
Over in the side bar there are some links for viewing the progress of my current comic collection.
Comics I WANT
Comics I HAVE
All 1800 Comics
I use an app on my phone called CLZ Comics to track my collection. I tried a few different apps before settling on this one and I am really happy with it.
It makes organizing my comics a snap and has details about every comic that I own or will own. I even use it to track which shelf holds what comic in my collection both for the comics that I have and those that I will have in the future.
I can have it with me on the road, so if I should walk into a comic shop to browse I'll always have the information with me. And, everything syncs to the cloud so the lists above will always be accurate. At time of this writing, I'm only 812 comics away from completing my collection, and only 12 Comics away from hitting a landmark 1000 comics. Huzzah!
Regards,
Jeff
Comics I WANT
Comics I HAVE
All 1800 Comics
I use an app on my phone called CLZ Comics to track my collection. I tried a few different apps before settling on this one and I am really happy with it.
It makes organizing my comics a snap and has details about every comic that I own or will own. I even use it to track which shelf holds what comic in my collection both for the comics that I have and those that I will have in the future.
I can have it with me on the road, so if I should walk into a comic shop to browse I'll always have the information with me. And, everything syncs to the cloud so the lists above will always be accurate. At time of this writing, I'm only 812 comics away from completing my collection, and only 12 Comics away from hitting a landmark 1000 comics. Huzzah!
Regards,
Jeff
CLZ Comics
Over in the side bar there are some links for viewing the progress of my current comic collection.
Comics I WANT
Comics I HAVE
All 1800 Comics
I use an app on my phone called CLZ Comics to track my collection. I tried a few different apps before settling on this one and I am really happy with it.
It makes organizing my comics a snap and has details about every comic that I own or will own. I even use it to track which shelf holds what comic in my collection both for the comics that I have and those that I will have in the future.
I can have it with me on the road, so if I should walk into a comic shop to browse I'll always have the information with me. And, everything syncs to the cloud so the lists above will always be accurate. At time of this writing, I'm only 812 comics away from completing my collection, and only 12 Comics away from hitting a landmark 1000 comics. Huzzah!
Regards,
Jeff
Comics I WANT
Comics I HAVE
All 1800 Comics
I use an app on my phone called CLZ Comics to track my collection. I tried a few different apps before settling on this one and I am really happy with it.
It makes organizing my comics a snap and has details about every comic that I own or will own. I even use it to track which shelf holds what comic in my collection both for the comics that I have and those that I will have in the future.
I can have it with me on the road, so if I should walk into a comic shop to browse I'll always have the information with me. And, everything syncs to the cloud so the lists above will always be accurate. At time of this writing, I'm only 812 comics away from completing my collection, and only 12 Comics away from hitting a landmark 1000 comics. Huzzah!
Regards,
Jeff
Fantastic Four #196
I just added Fantastic Four #196 to my collection. This issue begins a new story arc that sees the team reunited in a build-up towards their big 200th issue!
Reed is working with some scientificy group or other who have taken him prisoner for some kind of weird experiments. In New York, Sue is home with Agatha and Franklin when Johnny and Ben arrive. There's a bit of shenanigans on the way to a restaurant as Ben sees a favorite actor whom writer Marv Wolfman gives a fictional name, but who I think is supposed to be John Wayne.
At the restaurant the trio are attacked, first by manifestations of their own worst fears and then by the villain of the issue, The Invincible Man. (Whom I love the look of and would have liked to see again.) The three are defeated and taken to the same scientificy place where Reed is being held prisoner. Here, we get the first big surprise reveal of the issue as we learn why the Invincible Man was able to defeat the three members of the FF so easily. The Invincible Man is, Reed Richards!
Reunited but prisoners, it seems the evil-doers' plans are to use Ben, Sue, and Johnny as leverage to force Reed to do some scientificy inventiony stuffs for them. There's a thrilling escape sequence only to have the group defeated once again in the final two panels for the biggest surprise reveal of all ... the head of the scientificy place and the mastermind behind it all is, Doctor Doom!
It's a great issue with a lot going on. The story is well paced, and the art by Keith Pollard and Pablo Marcos is fantastic. Pollard isn't an artist one hears a lot of buzz about which is a shame, his work is stellar.
This issue is significant to me personally for a few reasons. It marks the beginning of my first "run" of any comic book. It was spring of 1978. I was 12 years old. The only comics that I got under normal circumstances were the ones that my mom would buy me when she would go to the super-market. That generally amounted to one comic a week.
It might seem like spending 35 cents once a week on a comic is no big deal, but it was. Plus, my sisters didn't have any sort of comparable hobby themselves. Mom would bring me a comic every week and they would get nothing. They didn't collect anything, so there wasn't the impetus. I mean ... Karla wanted a pony, but mom could hardly bring one of those home every week. So, the one comic a week thing was the best mom could do, if not necessarily from a financial standpoint, then from a parent/child/sibling relations standpoint.
What this meant for me though is that my collection was very much a patchwork. My mom really didn't understand much about collecting. Heck, I don't think that I really did either. She'd try to get me a "variety" ... a lot of different characters to read. I didn't have any runs up to this point. But, that Doctor Doom cliffhanger! That had an impact on me. I had to get the rest of this story! And, I did.
This issue caused me to discover something that would change the way I collected comics. I traded with other kids at school to get the exact comic that I wanted. It was brilliant! And it forced me to begin socializing at least a little with my "peers." Something that I was never very good at, or even usually "welcome" to attempt.
Twelve was the perfect age. Other boys my age collected comics too. We would meet in the library and talk about comics, draw comics of our own, and trade comics. I traded to get FF 197, 198, and 199. By the time 200 had come out, we had moved and I lost contact with the first group of friends that I had ever made. Fortunately, I was with mom at the supermarket and was able to pick out #200 myself. Which took some convincing on my part, because it was double sized and nearly twice the price!
This epic 5 issue run of the Fantastic Four elevated the title making the FF my favorite comic book! This is a distinction that is reflected in the comics that I have now, and FF #196 was the last comic that I needed to complete my Fantastic Four collection!
My collection begins with issue #164 which I chose because it was the first issue illustrated by George Perez, and ends with #262 which wraps up a John Byrne storyline just before the team is dragged off to the Secret Wars and comics as I know them are changed forever.
It's a massive 99 issue run spanning November of 1975 to Jan of 1984, and is the biggest run in my collection. It feels great to complete it! Now, I think it's time to settle in and read some comics.
Regards,
Jeff
Reed is working with some scientificy group or other who have taken him prisoner for some kind of weird experiments. In New York, Sue is home with Agatha and Franklin when Johnny and Ben arrive. There's a bit of shenanigans on the way to a restaurant as Ben sees a favorite actor whom writer Marv Wolfman gives a fictional name, but who I think is supposed to be John Wayne.
At the restaurant the trio are attacked, first by manifestations of their own worst fears and then by the villain of the issue, The Invincible Man. (Whom I love the look of and would have liked to see again.) The three are defeated and taken to the same scientificy place where Reed is being held prisoner. Here, we get the first big surprise reveal of the issue as we learn why the Invincible Man was able to defeat the three members of the FF so easily. The Invincible Man is, Reed Richards!
Reunited but prisoners, it seems the evil-doers' plans are to use Ben, Sue, and Johnny as leverage to force Reed to do some scientificy inventiony stuffs for them. There's a thrilling escape sequence only to have the group defeated once again in the final two panels for the biggest surprise reveal of all ... the head of the scientificy place and the mastermind behind it all is, Doctor Doom!
It's a great issue with a lot going on. The story is well paced, and the art by Keith Pollard and Pablo Marcos is fantastic. Pollard isn't an artist one hears a lot of buzz about which is a shame, his work is stellar.
This issue is significant to me personally for a few reasons. It marks the beginning of my first "run" of any comic book. It was spring of 1978. I was 12 years old. The only comics that I got under normal circumstances were the ones that my mom would buy me when she would go to the super-market. That generally amounted to one comic a week.
It might seem like spending 35 cents once a week on a comic is no big deal, but it was. Plus, my sisters didn't have any sort of comparable hobby themselves. Mom would bring me a comic every week and they would get nothing. They didn't collect anything, so there wasn't the impetus. I mean ... Karla wanted a pony, but mom could hardly bring one of those home every week. So, the one comic a week thing was the best mom could do, if not necessarily from a financial standpoint, then from a parent/child/sibling relations standpoint.
What this meant for me though is that my collection was very much a patchwork. My mom really didn't understand much about collecting. Heck, I don't think that I really did either. She'd try to get me a "variety" ... a lot of different characters to read. I didn't have any runs up to this point. But, that Doctor Doom cliffhanger! That had an impact on me. I had to get the rest of this story! And, I did.
This issue caused me to discover something that would change the way I collected comics. I traded with other kids at school to get the exact comic that I wanted. It was brilliant! And it forced me to begin socializing at least a little with my "peers." Something that I was never very good at, or even usually "welcome" to attempt.
Twelve was the perfect age. Other boys my age collected comics too. We would meet in the library and talk about comics, draw comics of our own, and trade comics. I traded to get FF 197, 198, and 199. By the time 200 had come out, we had moved and I lost contact with the first group of friends that I had ever made. Fortunately, I was with mom at the supermarket and was able to pick out #200 myself. Which took some convincing on my part, because it was double sized and nearly twice the price!
This epic 5 issue run of the Fantastic Four elevated the title making the FF my favorite comic book! This is a distinction that is reflected in the comics that I have now, and FF #196 was the last comic that I needed to complete my Fantastic Four collection!
My collection begins with issue #164 which I chose because it was the first issue illustrated by George Perez, and ends with #262 which wraps up a John Byrne storyline just before the team is dragged off to the Secret Wars and comics as I know them are changed forever.
It's a massive 99 issue run spanning November of 1975 to Jan of 1984, and is the biggest run in my collection. It feels great to complete it! Now, I think it's time to settle in and read some comics.
Regards,
Jeff
Fantastic Four #196
I just added Fantastic Four #196 to my collection. This issue begins a new story arc that sees the team reunited in a build-up towards their big 200th issue!
Reed is working with some scientificy group or other who have taken him prisoner for some kind of weird experiments. In New York, Sue is home with Agatha and Franklin when Johnny and Ben arrive. There's a bit of shenanigans on the way to a restaurant as Ben sees a favorite actor whom writer Marv Wolfman gives a fictional name, but who I think is supposed to be John Wayne.
At the restaurant the trio are attacked, first by manifestations of their own worst fears and then by the villain of the issue, The Invincible Man. (Whom I love the look of and would have liked to see again.) The three are defeated and taken to the same scientificy place where Reed is being held prisoner. Here, we get the first big surprise reveal of the issue as we learn why the Invincible Man was able to defeat the three members of the FF so easily. The Invincible Man is, Reed Richards!
Reunited but prisoners, it seems the evil-doers' plans are to use Ben, Sue, and Johnny as leverage to force Reed to do some scientificy inventiony stuffs for them. There's a thrilling escape sequence only to have the group defeated once again in the final two panels for the biggest surprise reveal of all ... the head of the scientificy place and the mastermind behind it all is, Doctor Doom!
It's a great issue with a lot going on. The story is well paced, and the art by Keith Pollard and Pablo Marcos is fantastic. Pollard isn't an artist one hears a lot of buzz about which is a shame, his work is stellar.
This issue is significant to me personally for a few reasons. It marks the beginning of my first "run" of any comic book. It was spring of 1978. I was 12 years old. The only comics that I got under normal circumstances were the ones that my mom would buy me when she would go to the super-market. That generally amounted to one comic a week.
It might seem like spending 35 cents once a week on a comic is no big deal, but it was. Plus, my sisters didn't have any sort of comparable hobby themselves. Mom would bring me a comic every week and they would get nothing. They didn't collect anything, so there wasn't the impetus. I mean ... Karla wanted a pony, but mom could hardly bring one of those home every week. So, the one comic a week thing was the best mom could do, if not necessarily from a financial standpoint, then from a parent/child/sibling relations standpoint.
What this meant for me though is that my collection was very much a patchwork. My mom really didn't understand much about collecting. Heck, I don't think that I really did either. She'd try to get me a "variety" ... a lot of different characters to read. I didn't have any runs up to this point. But, that Doctor Doom cliffhanger! That had an impact on me. I had to get the rest of this story! And, I did.
This issue caused me to discover something that would change the way I collected comics. I traded with other kids at school to get the exact comic that I wanted. It was brilliant! And it forced me to begin socializing at least a little with my "peers." Something that I was never very good at, or even usually "welcome" to attempt.
Twelve was the perfect age. Other boys my age collected comics too. We would meet in the library and talk about comics, draw comics of our own, and trade comics. I traded to get FF 197, 198, and 199. By the time 200 had come out, we had moved and I lost contact with the first group of friends that I had ever made. Fortunately, I was with mom at the supermarket and was able to pick out #200 myself. Which took some convincing on my part, because it was double sized and nearly twice the price!
This epic 5 issue run of the Fantastic Four elevated the title making the FF my favorite comic book! This is a distinction that is reflected in the comics that I have now, and FF #196 was the last comic that I needed to complete my Fantastic Four collection!
My collection begins with issue #164 which I chose because it was the first issue illustrated by George Perez, and ends with #262 which wraps up a John Byrne storyline just before the team is dragged off to the Secret Wars and comics as I know them are changed forever.
It's a massive 99 issue run spanning November of 1975 to Jan of 1984, and is the biggest run in my collection. It feels great to complete it! Now, I think it's time to settle in and read some comics.
Regards,
Jeff
Reed is working with some scientificy group or other who have taken him prisoner for some kind of weird experiments. In New York, Sue is home with Agatha and Franklin when Johnny and Ben arrive. There's a bit of shenanigans on the way to a restaurant as Ben sees a favorite actor whom writer Marv Wolfman gives a fictional name, but who I think is supposed to be John Wayne.
At the restaurant the trio are attacked, first by manifestations of their own worst fears and then by the villain of the issue, The Invincible Man. (Whom I love the look of and would have liked to see again.) The three are defeated and taken to the same scientificy place where Reed is being held prisoner. Here, we get the first big surprise reveal of the issue as we learn why the Invincible Man was able to defeat the three members of the FF so easily. The Invincible Man is, Reed Richards!
Reunited but prisoners, it seems the evil-doers' plans are to use Ben, Sue, and Johnny as leverage to force Reed to do some scientificy inventiony stuffs for them. There's a thrilling escape sequence only to have the group defeated once again in the final two panels for the biggest surprise reveal of all ... the head of the scientificy place and the mastermind behind it all is, Doctor Doom!
It's a great issue with a lot going on. The story is well paced, and the art by Keith Pollard and Pablo Marcos is fantastic. Pollard isn't an artist one hears a lot of buzz about which is a shame, his work is stellar.
This issue is significant to me personally for a few reasons. It marks the beginning of my first "run" of any comic book. It was spring of 1978. I was 12 years old. The only comics that I got under normal circumstances were the ones that my mom would buy me when she would go to the super-market. That generally amounted to one comic a week.
It might seem like spending 35 cents once a week on a comic is no big deal, but it was. Plus, my sisters didn't have any sort of comparable hobby themselves. Mom would bring me a comic every week and they would get nothing. They didn't collect anything, so there wasn't the impetus. I mean ... Karla wanted a pony, but mom could hardly bring one of those home every week. So, the one comic a week thing was the best mom could do, if not necessarily from a financial standpoint, then from a parent/child/sibling relations standpoint.
What this meant for me though is that my collection was very much a patchwork. My mom really didn't understand much about collecting. Heck, I don't think that I really did either. She'd try to get me a "variety" ... a lot of different characters to read. I didn't have any runs up to this point. But, that Doctor Doom cliffhanger! That had an impact on me. I had to get the rest of this story! And, I did.
This issue caused me to discover something that would change the way I collected comics. I traded with other kids at school to get the exact comic that I wanted. It was brilliant! And it forced me to begin socializing at least a little with my "peers." Something that I was never very good at, or even usually "welcome" to attempt.
Twelve was the perfect age. Other boys my age collected comics too. We would meet in the library and talk about comics, draw comics of our own, and trade comics. I traded to get FF 197, 198, and 199. By the time 200 had come out, we had moved and I lost contact with the first group of friends that I had ever made. Fortunately, I was with mom at the supermarket and was able to pick out #200 myself. Which took some convincing on my part, because it was double sized and nearly twice the price!
This epic 5 issue run of the Fantastic Four elevated the title making the FF my favorite comic book! This is a distinction that is reflected in the comics that I have now, and FF #196 was the last comic that I needed to complete my Fantastic Four collection!
My collection begins with issue #164 which I chose because it was the first issue illustrated by George Perez, and ends with #262 which wraps up a John Byrne storyline just before the team is dragged off to the Secret Wars and comics as I know them are changed forever.
It's a massive 99 issue run spanning November of 1975 to Jan of 1984, and is the biggest run in my collection. It feels great to complete it! Now, I think it's time to settle in and read some comics.
Regards,
Jeff
Thursday, January 11, 2018
The Punisher vs. My Bratty Little Sister!
I mentioned my step-dad, Chuck in a previous post. I also might have mentioned that he wasn't really my favorite person. The story that I want to tell today isn't about him at all really. But, I am going to tell a different story first, to set the tone. My pre-story is a story about punishment.
I can't actually remember what had been done. But, kids being kids, we had done something that deserved punishment. Perhaps not the punishment that was meted out, but I am sure we deserved something. Or, rather ... the guilty party deserved something.
The problem was that Chuck didn't know who had committed the crime. He knew that he hadn't done it, and that my mom hadn't done it. That left one of us, kids. Chuck decided to take the King Salomon approach to solving the riddle, he produced a "hog-paddle" and proceeded to inform us that if one child did not confess to the crime, that all would be punished.
In this case, I was not the guilty party and I didn't know who was. The party in question remained silent and we were in fact, all punished. Now, in a surprise twist, Chuck repeated the ultimatum, and the subsequent punishment. When the guilty party still had not come forth, the punishment was repeated again ... and so on.
In retrospect, if I had been a proper and heroic big brother, or even just a little bit smart, I would have simply confessed to the crime and taken my lumps to end the cycle. It would have been better for everyone. But, I didn't think about that then. Neither did my sister, Sally. We each knew that we didn't do it, and that was all we could hold on to.
The guilty party was my bratty little sister, Karla, and never had a more stubborn child been born ... well, except maybe for Chuck. Because his plan did work ... eventually. Karla confessed to the crime. And, when she did the punishments ended immediately.
But, Chuck felt that justice had not been satisfied. He handed the paddle over and instructed Sally and myself that we were allowed to "use it" on Karla in payback for the punishment that we had suffered.
We refused.
I will pause here to mention that this wasn't the first trouble Sally and I had assumed because of our bratty little sister. Karla was the champion of self preservation, any allegiance she might feel towards her siblings was only entertained after the "every man for himself" strategy had failed her.
That's just the way that she was. But, she was younger, and I am not sure that she could even remember a time when there wasn't a Chuck in our lives. So, it wasn't a big deal. As a sister, Karla may have been bratty, but she was OUR bratty sister and we were protective of her.
This baffled Chuck. Karla had remained silent while we were punished along with her. Surely, we desired vengeance!
We didn't.
We were just happy it was over. Chuck allowed our decision to stand. When I think now about how truly bewildered Chuck was at our choice NOT to enact revenge upon our little sister, it makes me wonder what Chuck's childhood must have been like. I wish that I had allowed myself to understand him better when I was younger.
But, understanding Chuck wasn't why I told this little story. I told this story so that you might know my little sister Karla a little better, at least how she was as a child. She is still a strong willed, fearless woman with a focused determination which I believe has served her well in her life much more often than it might have worked against her.
In the late windy autumn of 1977, my "bratty" little sister, Karla and I had an adventure together.
It starts out innocently enough. We were playing outside. (When I was young, "browsing the web" was called, "playing outside.") It was probably some form of tag, or hide and seek or something equally physical at which I was absolutely terrible. (I am much better at browsing the web.) The actual activity isn't important, what is important is that we were outside and that it was a very windy day.
And on this windy day, what should blow across my path as I was playing, but a bit of a newspaper. (When I was young, "web pages" were called, "newspapers.") This wouldn't have been significant under normal circumstances. I was playing outside and having my fun. News and newspapers weren't anything to concern myself with. So, imagine then, my surprise when I saw my little sister, Karla, a full five years my junior with a piece of said newspaper in hand ... reading it!
"What are you doing?" I asked her in exactly the tone of voice an older brother uses when talking to his little sister so as to say, "It doesn't matter how you answer, because what you're doing has to be ridiculous."
Undaunted by my tone, Karla didn't even bother looking up. "Reading comics ... " was her simple 'matter of fact' reply.
"Comics?" I asked, suddenly interested. Big brother tone was gone in an instant. This child wasn't ridiculous. She was miraculous ... a newspaper savant. "Let me see." I demanded.
Now normally the best way to get my sister to absolutely NOT do something was to demand that she do it. I perhaps should have been more tactful. But today was a special magical day and my abrupt tone did not immediately spark the ignition of sibling conflict. Karla obligingly strode to my side and handed me the paper.
I had my expectations in check. I had seen newspaper comics before. I had read Family Circus and Charlie Brown. This is what she was reading. I knew it would be. And that was fine. I liked those comics too. It was bound to be way better than whatever "outside" game we had been playing.
Imagine my surprise when I looked at the newspaper comic page my sister had been reading and discovered, "The Amazing Spider-man!" Surely, this was a trick! It must be some newspaper knock-off intended for kids, like Spidey Super Stories and that Spider-man from the Electric Company. But, no ... this was a proper Spider-man. Spider-man in new adventures not chronicled in the pages of a comic book; written by Stan Lee himself, and drawn by John Romita. This was the real deal!
Karla was anxious to share in my enthusiasm. She ran from the yard across to the neighboring field to snatch up another piece of newspaper. "Darn! No comic!" she cursed in her harshest 7 year old vocabulary. Of course there wouldn't be. We had already found the comics pages.
I tried to explain to her that a newspaper was made up of many, many pages, but that only a few of these were comics pages and that we had found them all already (or at least, the only one that mattered ... the one that featured, Spider-man!) "You don't know that!" she countered stubbornly as she ran across the field to snatch up another piece of the newspaper that had been blowing towards our front yard. "Darn!" she cursed with a venom that would melt diamonds. And she took off in search of another fluttering scrap of "hopeless waste of time."
I was calling for her to come back and struggling to keep up with her. I knew that I would get in trouble if I allowed her to run off alone, so I had to keep an eye on her. We lived in a farm house out in the middle of nowhere on the distant outskirts of an abandoned ghost town called, "Dilapidated Corn-Cob" Iowa ... Or, something equally desolate sounding. (It's possible that names have been changed to avoid the boring.)
We were across the road from our house, which itself was a fair distance from the road, and in the middle of a cornfield. The cornfield was barren as this was late November or early December, the only notable feature was an old gray barn in the distance. I called out again to Karla, who continued to actively ignore me. I was beginning to get angry, when Karla cried out unexpectedly.
"Spider-man!"
"What? ... Another one?" I was astonished. "Impossible!"
If the Princess Bride had been a thing in 1977, I would have thought, "Inconceivable!" but that wasn't a word back then.
I finally caught up to Karla who thrust out the new piece of newspaper in triumph. It was indeed another installment of the Spider-Man strip from a different newspaper! How could this be?
Karla smirked at me with a smugness of Trumpian proportions. "Told you!" she trumpeted as pleased with the object of her quest as she was with being right. I was pleased, too! If there was two ... there could be more! Scanning the distance, it appeared the trail of paper was coming from that old gray barn at the far side of the cornfield.
"Come on!" I exclaimed, suddenly very excited by this recent turn of events. Karla had gone from "pain in the neck, bratty little sister" to "faithful sidekick" in a instant. We ran with youthful vigor toward the barn together, matching one another step for step like Batman and Robin in that episode where the Batmobile ran out of gas!
We reached the barn, but it was locked up. There was a chain on the door. Up high on one side of the barn was a large window, but no glass ... just a framed aperture and old wooden shutters that must have been unfurled by the ferocious winds. Newspapers were being blown out through the opening, but we couldn't get up there ... or so one would assume.
There was a tree next to the barn, and Karla was certain that she could reach the window from the tree and climb in. As her big brother, I was responsible for Karla's safety, and I objected strongly.
"Good idea!" I said, but Karla was already halfway up the tree.
Karla made it up the tree and into the loft of the barn successfully. I waited anxiously as she disappeared inside.
"There's a jillion of them!" Karla called out as she looked down at me from the loft. Within moments she was pushing tied bundles of newspapers that she could barely manage to lift, out of the window to me on the ground below. Once on the ground, I struggled to free the newspapers from their bindings and began to dig through them in search of Spider-man. I was met with success after success and each discovery inflamed our dedication to our quest!
Once again, as in a previous tale, the wind was our enemy. Comic collecting is not an outdoor sport. Karla to the rescue! Fearlessly, she was down the tree and running back to the house to get my school binder (the contents of which she helpfully emptied on the floor of my room) and a pair of scissors so that we could clip and store the strips safely. She was met by my sister, Sally who asked her what was going on. "I have to hurry!" Karla proclaimed without pausing to give her big sister a single glance. "We're collecting Spider-man!" she spouted as she ran off back out into the cornfield.
Karla delivered to me the tools needed to complete our task and was back up the tree and into the barn before I'd even begun to get things properly organized. Her single-minded dedication to our goal was a credit to side-kicks everywhere. She was brave, efficient, focused ... amazing. I couldn't believe that I once thought of this paragon of Spider-man comic strip, detection, location, and collection as my "bratty little sister!" She was a hero! We both were! She was Robin to my Batman, Falcon to my Captain America! We were a team!!
Meanwhile, back at the Hall of Justice ...
Mom was driving home from work.
I mentioned that we lived in the middle of nowhere ... so the last leg of the drive home from work, for my mom, was an unremarkable five mile stretch of lonely country road. Uh, normally unremarkable.
Mom encountered the first in a trail of newspapers as soon as she turned down the road towards home. The trail quickly grew thicker and created a path down the side of the road that accompanied my mother as she drove along, puzzled at the spectacle. A spectacle that accompanied her for every one of the last five miles of her journey.
When she got home, she asked Sally what was going on. Sally pointed to the barn in the distance. "Jeff's collecting Spider-man comics. Karla's helping." She reported simply.
Breaking and entering, vandalism, trespassing, theft, littering ... these were but a few of our crimes. The newspapers in our landlord's barn were being stored there for a Boy Scout paper drive for charity. We had made a shambles of them. A shambles that would take many many people, many many days to clean up.
In an aforementioned previous post, I had spoken of seeing my mom at various stages of anger ... this would be the time that my mom's anger reached atomic elevations.
As my fiancée, Julie is fond of saying, "It was the 70's. Life was cheap."
Life was cheap ... and whippings happened. Well, they did.
And they were about to again.
Mom cut a switch from a tree in our front yard and proceeded to thunder like a Sherman Tank across the road towards the barn.
Karla was the first to see mom coming from her vantage point in the loft. There was no mistaking the nature of mom's gait as she marched our direction. We were in big trouble. Karla spared me only a word, "Mom!" and she was down the tree and already on her way home before I knew what was happening.
Now, we come to the reason I told that first story. I believe it's important to know about my sister Karla's fearless demeanor and stubborn defiance in the face of disciplinary action. She is and has always been unflappable. If she were a horse she would be one of those that could never be broken; always wild; always free. Discipline ... phhtt! Fear? Ha! These things didn't impact Karla's world at all.
So it was, that as little 7 year old Karla was running towards home, prepared with her youthful agility to dodge right past our mother heedless of the consequences, that her eyes came to fixate on the knife in my mom's hand. The knife that mom had used to cut a switch with which to punish us.
Mom in her anger had forgotten to put the knife down. Karla in her haste to return to the safety of home, wasn't prepared for the sight of an angry mother with knife in hand.
Karla turned white and fell defeated to her knees. "Please, don't KILL us, mom!" came her desperate plea.
This stopped mom dead in her tracks. For a moment nothing happened. Everything froze. Then mom's face contorted into a knot of visible struggle, like Bill Bizby's as he was about to transform into the Hulk.
Would she scream out in anger, at the thoughtlessness of our crimes? Cry at the sight of her youngest child begging for her life at the hands of her own mother? Or, laugh at the sheer absurdity of it all? In the end, her face passed out from the strain of this turmoil and fell lax. Mom let out a sigh.
"Get back to the house!" she barked. Karla was off like a rocket. I had never seen anyone run so fast.
I ... got the switch.
But, that didn't really matter. The whipping I got wasn't the real punishment, not to me. The real punishment was that I didn't get to keep the newspaper strips.
Oh, well.
Karla and I were closer after that. She was never my "bratty" little sister again.
Regards,
Jeff
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Spider-Man 174, Nov. 1977 - My first encounter with The Punisher! |
I can't actually remember what had been done. But, kids being kids, we had done something that deserved punishment. Perhaps not the punishment that was meted out, but I am sure we deserved something. Or, rather ... the guilty party deserved something.
The problem was that Chuck didn't know who had committed the crime. He knew that he hadn't done it, and that my mom hadn't done it. That left one of us, kids. Chuck decided to take the King Salomon approach to solving the riddle, he produced a "hog-paddle" and proceeded to inform us that if one child did not confess to the crime, that all would be punished.
In this case, I was not the guilty party and I didn't know who was. The party in question remained silent and we were in fact, all punished. Now, in a surprise twist, Chuck repeated the ultimatum, and the subsequent punishment. When the guilty party still had not come forth, the punishment was repeated again ... and so on.
In retrospect, if I had been a proper and heroic big brother, or even just a little bit smart, I would have simply confessed to the crime and taken my lumps to end the cycle. It would have been better for everyone. But, I didn't think about that then. Neither did my sister, Sally. We each knew that we didn't do it, and that was all we could hold on to.
The guilty party was my bratty little sister, Karla, and never had a more stubborn child been born ... well, except maybe for Chuck. Because his plan did work ... eventually. Karla confessed to the crime. And, when she did the punishments ended immediately.
But, Chuck felt that justice had not been satisfied. He handed the paddle over and instructed Sally and myself that we were allowed to "use it" on Karla in payback for the punishment that we had suffered.
We refused.
I will pause here to mention that this wasn't the first trouble Sally and I had assumed because of our bratty little sister. Karla was the champion of self preservation, any allegiance she might feel towards her siblings was only entertained after the "every man for himself" strategy had failed her.
That's just the way that she was. But, she was younger, and I am not sure that she could even remember a time when there wasn't a Chuck in our lives. So, it wasn't a big deal. As a sister, Karla may have been bratty, but she was OUR bratty sister and we were protective of her.
This baffled Chuck. Karla had remained silent while we were punished along with her. Surely, we desired vengeance!
We didn't.
We were just happy it was over. Chuck allowed our decision to stand. When I think now about how truly bewildered Chuck was at our choice NOT to enact revenge upon our little sister, it makes me wonder what Chuck's childhood must have been like. I wish that I had allowed myself to understand him better when I was younger.
But, understanding Chuck wasn't why I told this little story. I told this story so that you might know my little sister Karla a little better, at least how she was as a child. She is still a strong willed, fearless woman with a focused determination which I believe has served her well in her life much more often than it might have worked against her.
In the late windy autumn of 1977, my "bratty" little sister, Karla and I had an adventure together.
It starts out innocently enough. We were playing outside. (When I was young, "browsing the web" was called, "playing outside.") It was probably some form of tag, or hide and seek or something equally physical at which I was absolutely terrible. (I am much better at browsing the web.) The actual activity isn't important, what is important is that we were outside and that it was a very windy day.
And on this windy day, what should blow across my path as I was playing, but a bit of a newspaper. (When I was young, "web pages" were called, "newspapers.") This wouldn't have been significant under normal circumstances. I was playing outside and having my fun. News and newspapers weren't anything to concern myself with. So, imagine then, my surprise when I saw my little sister, Karla, a full five years my junior with a piece of said newspaper in hand ... reading it!
"What are you doing?" I asked her in exactly the tone of voice an older brother uses when talking to his little sister so as to say, "It doesn't matter how you answer, because what you're doing has to be ridiculous."
Undaunted by my tone, Karla didn't even bother looking up. "Reading comics ... " was her simple 'matter of fact' reply.
"Comics?" I asked, suddenly interested. Big brother tone was gone in an instant. This child wasn't ridiculous. She was miraculous ... a newspaper savant. "Let me see." I demanded.
Now normally the best way to get my sister to absolutely NOT do something was to demand that she do it. I perhaps should have been more tactful. But today was a special magical day and my abrupt tone did not immediately spark the ignition of sibling conflict. Karla obligingly strode to my side and handed me the paper.
I had my expectations in check. I had seen newspaper comics before. I had read Family Circus and Charlie Brown. This is what she was reading. I knew it would be. And that was fine. I liked those comics too. It was bound to be way better than whatever "outside" game we had been playing.
Imagine my surprise when I looked at the newspaper comic page my sister had been reading and discovered, "The Amazing Spider-man!" Surely, this was a trick! It must be some newspaper knock-off intended for kids, like Spidey Super Stories and that Spider-man from the Electric Company. But, no ... this was a proper Spider-man. Spider-man in new adventures not chronicled in the pages of a comic book; written by Stan Lee himself, and drawn by John Romita. This was the real deal!
Karla was anxious to share in my enthusiasm. She ran from the yard across to the neighboring field to snatch up another piece of newspaper. "Darn! No comic!" she cursed in her harshest 7 year old vocabulary. Of course there wouldn't be. We had already found the comics pages.
I tried to explain to her that a newspaper was made up of many, many pages, but that only a few of these were comics pages and that we had found them all already (or at least, the only one that mattered ... the one that featured, Spider-man!) "You don't know that!" she countered stubbornly as she ran across the field to snatch up another piece of the newspaper that had been blowing towards our front yard. "Darn!" she cursed with a venom that would melt diamonds. And she took off in search of another fluttering scrap of "hopeless waste of time."
I was calling for her to come back and struggling to keep up with her. I knew that I would get in trouble if I allowed her to run off alone, so I had to keep an eye on her. We lived in a farm house out in the middle of nowhere on the distant outskirts of an abandoned ghost town called, "Dilapidated Corn-Cob" Iowa ... Or, something equally desolate sounding. (It's possible that names have been changed to avoid the boring.)
We were across the road from our house, which itself was a fair distance from the road, and in the middle of a cornfield. The cornfield was barren as this was late November or early December, the only notable feature was an old gray barn in the distance. I called out again to Karla, who continued to actively ignore me. I was beginning to get angry, when Karla cried out unexpectedly.
"Spider-man!"
"What? ... Another one?" I was astonished. "Impossible!"
If the Princess Bride had been a thing in 1977, I would have thought, "Inconceivable!" but that wasn't a word back then.
I finally caught up to Karla who thrust out the new piece of newspaper in triumph. It was indeed another installment of the Spider-Man strip from a different newspaper! How could this be?
Karla smirked at me with a smugness of Trumpian proportions. "Told you!" she trumpeted as pleased with the object of her quest as she was with being right. I was pleased, too! If there was two ... there could be more! Scanning the distance, it appeared the trail of paper was coming from that old gray barn at the far side of the cornfield.
"Come on!" I exclaimed, suddenly very excited by this recent turn of events. Karla had gone from "pain in the neck, bratty little sister" to "faithful sidekick" in a instant. We ran with youthful vigor toward the barn together, matching one another step for step like Batman and Robin in that episode where the Batmobile ran out of gas!
We reached the barn, but it was locked up. There was a chain on the door. Up high on one side of the barn was a large window, but no glass ... just a framed aperture and old wooden shutters that must have been unfurled by the ferocious winds. Newspapers were being blown out through the opening, but we couldn't get up there ... or so one would assume.
There was a tree next to the barn, and Karla was certain that she could reach the window from the tree and climb in. As her big brother, I was responsible for Karla's safety, and I objected strongly.
"Good idea!" I said, but Karla was already halfway up the tree.
Karla made it up the tree and into the loft of the barn successfully. I waited anxiously as she disappeared inside.
"There's a jillion of them!" Karla called out as she looked down at me from the loft. Within moments she was pushing tied bundles of newspapers that she could barely manage to lift, out of the window to me on the ground below. Once on the ground, I struggled to free the newspapers from their bindings and began to dig through them in search of Spider-man. I was met with success after success and each discovery inflamed our dedication to our quest!
Once again, as in a previous tale, the wind was our enemy. Comic collecting is not an outdoor sport. Karla to the rescue! Fearlessly, she was down the tree and running back to the house to get my school binder (the contents of which she helpfully emptied on the floor of my room) and a pair of scissors so that we could clip and store the strips safely. She was met by my sister, Sally who asked her what was going on. "I have to hurry!" Karla proclaimed without pausing to give her big sister a single glance. "We're collecting Spider-man!" she spouted as she ran off back out into the cornfield.
Karla delivered to me the tools needed to complete our task and was back up the tree and into the barn before I'd even begun to get things properly organized. Her single-minded dedication to our goal was a credit to side-kicks everywhere. She was brave, efficient, focused ... amazing. I couldn't believe that I once thought of this paragon of Spider-man comic strip, detection, location, and collection as my "bratty little sister!" She was a hero! We both were! She was Robin to my Batman, Falcon to my Captain America! We were a team!!
Meanwhile, back at the Hall of Justice ...
Mom was driving home from work.
I mentioned that we lived in the middle of nowhere ... so the last leg of the drive home from work, for my mom, was an unremarkable five mile stretch of lonely country road. Uh, normally unremarkable.
Mom encountered the first in a trail of newspapers as soon as she turned down the road towards home. The trail quickly grew thicker and created a path down the side of the road that accompanied my mother as she drove along, puzzled at the spectacle. A spectacle that accompanied her for every one of the last five miles of her journey.
When she got home, she asked Sally what was going on. Sally pointed to the barn in the distance. "Jeff's collecting Spider-man comics. Karla's helping." She reported simply.
Breaking and entering, vandalism, trespassing, theft, littering ... these were but a few of our crimes. The newspapers in our landlord's barn were being stored there for a Boy Scout paper drive for charity. We had made a shambles of them. A shambles that would take many many people, many many days to clean up.
In an aforementioned previous post, I had spoken of seeing my mom at various stages of anger ... this would be the time that my mom's anger reached atomic elevations.
As my fiancée, Julie is fond of saying, "It was the 70's. Life was cheap."
Life was cheap ... and whippings happened. Well, they did.
And they were about to again.
Mom cut a switch from a tree in our front yard and proceeded to thunder like a Sherman Tank across the road towards the barn.
Karla was the first to see mom coming from her vantage point in the loft. There was no mistaking the nature of mom's gait as she marched our direction. We were in big trouble. Karla spared me only a word, "Mom!" and she was down the tree and already on her way home before I knew what was happening.
Now, we come to the reason I told that first story. I believe it's important to know about my sister Karla's fearless demeanor and stubborn defiance in the face of disciplinary action. She is and has always been unflappable. If she were a horse she would be one of those that could never be broken; always wild; always free. Discipline ... phhtt! Fear? Ha! These things didn't impact Karla's world at all.
So it was, that as little 7 year old Karla was running towards home, prepared with her youthful agility to dodge right past our mother heedless of the consequences, that her eyes came to fixate on the knife in my mom's hand. The knife that mom had used to cut a switch with which to punish us.
Mom in her anger had forgotten to put the knife down. Karla in her haste to return to the safety of home, wasn't prepared for the sight of an angry mother with knife in hand.
Karla turned white and fell defeated to her knees. "Please, don't KILL us, mom!" came her desperate plea.
This stopped mom dead in her tracks. For a moment nothing happened. Everything froze. Then mom's face contorted into a knot of visible struggle, like Bill Bizby's as he was about to transform into the Hulk.
Would she scream out in anger, at the thoughtlessness of our crimes? Cry at the sight of her youngest child begging for her life at the hands of her own mother? Or, laugh at the sheer absurdity of it all? In the end, her face passed out from the strain of this turmoil and fell lax. Mom let out a sigh.
"Get back to the house!" she barked. Karla was off like a rocket. I had never seen anyone run so fast.
I ... got the switch.
But, that didn't really matter. The whipping I got wasn't the real punishment, not to me. The real punishment was that I didn't get to keep the newspaper strips.
Oh, well.
Karla and I were closer after that. She was never my "bratty" little sister again.
Regards,
Jeff
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